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Leyli Menal
Sappho
Neverland, Never Leave
A Price Tag, A Dying Flower, A Mannequin
In The Desert Dry Flats
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My Life In Trees
Good bye
‘Tis the Season
The Taxonomy of Blankets
9.8 Meters Per Second
Hollywood Doesn’t Know (and Doesn’t Care) What Real Teenagers Look Like
The Philosophy of Suicide: Why Should We Choose to Live?
The Freedom in Feminism
Epistula
Written in the Stalls
Sibling Revelry: The Unexpected Joys of Quarantine
The Only Thing to Fear Is Fear Itself: Horror Movies and the Social Consciousness
Poems
How to Save the Drag
Placebos, Chaos, and the Semblance of Control
America’s Love Story with The Bachelor
BODY
Restaurants Fight to Stay Afloat in Austin’s Competitive Market
Rage
A Hot Take: Don’t Hate the PCL, Hate What the PCL Stands For
Finding Meaning in the Snapstreak (Spoiler Alert: There Is None)
Beautiful Strip Malls and Musings on the Apocalypse
I Carry You With Me
Food Insecurity Forces Hunger Management, UT Outpost Aims to Mitigate
The Truth
Camus and Existentialism – The UTea Podcast Episode 4
Animal Overpopulation at Austin Animal Center
Tuition or Dinner? The Socioeconomics of Student Dining
Heidegger, Poetry, and Environment
The Danger of a Warm Embrace
An Examination of Math
Coils
Clouds
College of Comparison
Protest Music – The UTea Podcast Episode 3
Neither Fearful nor Fearless
You Can’t Kill the Undead: The Twilight Renaissance in 2019
“Bleed Orange, Live Green”…Waste AC Energy?
Chernobyl Part One – The UTea Podcast Episode 2
Dueling Vignettes
Techno-Paranoia and the Allure of Black Mirror
Malleable Metal
A Collage of Aesthetics
The History of Cannibalism in the Horror Genre
The Appeal of the Problematic Female Protagonist
Dahmer and Candidness: The Increase of Moral Justifications Within the Media
The Spaces in Between
Making Home
The Prince’s Grift
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